Cabaret

1998 Version

Book by Joe Masteroff
Based on the play by John Van Druten and stories by Christopher Isherwood
Music by John Kander
Lyrics by Fred Ebb 

Original Broadway Production
Co-directed and Choreographed by Rob Marshall
Directed by Sam Mendes

Cabaret is presented through a special arrangement with Concord Theatricals.

CREATIVE TEAM
Director…… Candice Martinez-Clasby
Assistant Director…… *Cory Johnson
Musical Director…… Jon Lindfors
Conductor…… Dr. David Lopez 
Choreographer…… Arthur L. Ross
Assistant Choreographer…… *Olivia Oakley
Fight Choreographer…… *Isabella Barry
Scenic Designer…… Chuck Ketter
Costume Designer…… Kaitlyn Caspary
Assistant Costume Designer…… *Sunjoo Kim
Lighting Designer…… *Justin Ekowibowo
Assistant Lighting Designer…… *Savannah Vasquez
Audio Designers…… *Michael Martinez & *Bailey Powell
Makeup & Hair Designer…… *Skyler Ash
Assistant Makeup Designer…… *Mikayla Nance
Property Designers…… *Ava Carlson & Zelida Solorio

* Current Students

We want to remind you that using any audio, video, or photographic recording devices is strictly prohibited.

CAST*
Emcee…… Seth Diaz
Sally Bowles…… October Stradwick
Clifford Bradshaw…… Nicholas Martinez
Ernst Ludwig…… Connor Persson
Fraulein Schneider…… Raquel DePorto
Fraulein Kost…… Hannah Hughes
Bobby…… Kelvin Co
Herr Schultz…… Max Feingold
Victor & Sailor 1…… Juan Carlos Arellano
LuLu…… Lily Rupe
Frenchie…… Giovanna  Rodriguez
Helga & Boys Voice…… Kyrii Valdma
Hans & Max…… Ethan DeLaMotta
Herman & Sailor 2…… Andrew Hong
Rosie & Trapper…… Sarah Moyers
Texas…… Brooke Hernandez
Gretel…… Natalia Espinoza
Fritzie…… Reilly Zabala
Olga…… Koda Frey

BAND
Keyboard 1…… Jenny Schniepp
Keyboard 2…… Christine Lopez/Paul DaSilva
Reed 1…… *Alejandro Martinez/*Rodrigo Sauceda
Reed 2…… *Yvonne Martinez
Trumpet…… David Trujillo
Trombone…… *Alyssa Sariñana
Guitar/Banjo…… Callum Scott-Curtis
Bass…… Carlos Zagal
Drum Set/Percussion…… Amanda Duncan/Jordan Curcuruto

PRODUCTION STAFF
Dean of Fine Arts…… Dr. Grant Linsell
Theatre Arts Department Coordinator…… Zachary T. Harless
Office Manager…… Selene Parral
Production Manager…… Zachary T. Harless
Production Stage Manager…… *Tommy Dodd
Assistant Stage Managers…… *Dillion Agnew & *Cristobal Quezada
Dance Captains…… *Kelvin Co and *Sarah Moyers
Dramaturg…… *Cole Frausto
Dialect Coach & Intimacy Coordinator…… Bibi Mama
Scenic Coordinator…… Kevin Clowes
Scene Shop Supervisor…… Matthew Kenichi Muranaga
Charge Scenic Artist…… Zelida Solorio
Costume Shop Supervisor…… Vannessa Poveda
Cutter/Draper…… Sarah Timm
Lighting Supervisor & Head Electrician…… Michele Jones
Makeup Supervisor…… Kaylynn Sutton
House Manager…… Cherie Mathews

* Current Students

SPECIAL THANKS TO:
Fullerton College Theater Operations, La Mirada Theatre for the Performing Arts, Stagelight Productions

 

DIRECTOR’S NOTE
Cabaret has always been my favorite musical, not only for its brilliance in storytelling and music but for its chilling, unrelenting relevance. Set in the final days of the Weimar Republic, as Berlin teeters on the brink of fascism, this production serves as both a reflection of history and a mirror to our present.

In casting this production, I was intentional in showcasing the diverse communities that existed in Germany at this time, Jewish people, LGBTQIA2S+ individuals, immigrants, and people of color, all of whom were part of the fabric of Berlin and, later, victims of Nazi persecution. This is not just a story about what happened then; it is about what happens when people stop seeing one another as human.

One of the most haunting moments in Cabaret comes from Fraulein Schneider’s song “What Would You Do?” a plea from someone who has watched the world shift under her feet, who is forced to make impossible choices. It is a question that demands an answer from all of us. In an era where people are being taken from hospitals, schools, their homes and are detained, where even legal residents with green cards are being deported, we must ask ourselves: when fascism rises again, what will we do?

The parallels between 1936 and today are undeniable. The political landscape we find ourselves in is one of division, fear, and the dangerous belief that what happens to others does not concern us. But history warns us otherwise. Sitting back and believing it has nothing to do with you is a choice—a choice that allows oppression to take root.

As you watch this production, I hope it challenges you. I hope it unsettles you. And most of all, I hope it compels you to see the humanity in others—to resist apathy, to reject division, and to answer the question: What would you do?

Candice Martinez-Clasby
Director

DRAMATURGICAL NOTE 
Cabaret takes us to 1930s Berlin, where life is a mix of wild parties, music, and a country in chaos. Set during the Weimar Republic, this world shows us how people were trying to escape their troubles, even as political and social unrest took over. As we watch, it’s hard not to notice the parallels between that time and our own world today.

Just like in Weimar Germany, the USA today is dealing with a lot of political division, economic struggles, and debates over social justice. Back then, Germany was facing the fallout from World War I and the rise of dangerous political movements, and now in America, we see similar divisions, with political extremes gaining attention and big challenges ahead.

In the 1930s, Berlin’s nightlife and cabaret scene were all about freedom of expression, while today, pop culture is a huge part of our lives through social media, movies, and music. But both eras also show us how people distract themselves from bigger problems around them. Whether it's dancing in Berlin or scrolling through our phones, we sometimes ignore the tough issues we need to face.

Cabaret isn’t just about history—it’s a reminder that the struggles of the past are still with us today. The fight for freedom, equality, and how we choose to live in times of uncertainty are questions that are still relevant. Watching this show, we’re asked: Will we just keep dancing through the chaos, or will we take a stand and face what’s happening around us? The choice is ours, then and now.

Cole Frausto
Dramaturg

Please be advised that this production contains: theatrical haze, theatrical smoke, strobe lighting effects, and is intended for mature audiences only.

MUSICAL NUMBERS

Act I (85 minutes)
“Willkommen” – Emcee & Company
“Welcome to Berlin” – Emcee
“So What?” – Fräulein Schneider
“Don’t Tell Mama” – Sally & the Kit Kat Girls
“Mein Herr” – Sally & Company
“Perfectly Marvelous” – Sally & Cliff
“Two Ladies” – Emcee & Company
“It Couldn’t Please Me More” – Schneider, Schultz, & Emcee
“Tomorrow Belongs to Me” – Boy’s Voice
“Maybe This Time” – Sally
“Money” – Emcee & the Kit Kat Girls
“Married” – Schultz, Kost, & Schneider
Reprise: “Tomorrow Belongs to Me” – Kost, Ernst, & Guests

INTERMISSION (15 Minutes)
Refreshments will be available in the theater's frontcourt.
Please do not bring any food or drink into the theater.

Act II (40 minutes)
Entr’acte – Orchestra
Kick Line Number – Company
Reprise: “Married” – Schultz
“If You Could See Her” – Emcee
“What Would You Do?” – Schneider
“I Don’t Care Much” – Emcee
“Cabaret” – Sally
Finale– Cliff & Emcee
End of Show – Emcee

RUNNING CREW*
AUTOMATION OPERATOR
Laura Vega 

AUTOMATION TECHNICIAN
Lenore Booth

HEAD FLYPERSON
Ace Rangel-Mcomber

FLY OPERATOR
Daniel Gutierrez 

GRIPS
Chris Beltran
Lenore Booth
Sarah Dobbins
Myles Hall
Abel Ortiz
Haylee Rodriguez 

LIGHTING CONSOLE OPERATOR
Mason Jones 

FOLLOWSPOT OPERATORS
Clifford Jackson
Ryan Swiderski 

DECK ELECTRICIAN
Abel Ortiz 

CHIEF SOUND ENGINEER
Keven Bautista 

ASSOCIATE SOUND ENGINEER & PLAYBACK
Chrissy Collins

BAND REINFORCEMENT ENGINEER
Shannon Dumser 

MONITOR MIXER
Eric Bailey 

SOUND SUPPORT CREW (A2’s)
Emily Alexander
Levi Archer
Marissa Archer
Chace DaSilva
Myles Hall 

HEAD OF WARDROBE
Ciel Codd 

WARDROBE CREW
Alexis Cisnero
Arlette  Florencio
Kaitlin Kitchens
Cammie Kohlenberger
Chelsea Mallari
Dora Torres 

MAKEUP CREW
James Atwood
Ellese Castro
Kyara Codd
Ingrid De La Cerda
Natalia Espinoza
Cole Frausto
Andrew Hong
Mark Khella
Gabrielle Murray
Tochi Nzerem
Sophia Ortiz
Connor Persson
Mihr Christian Pinga
Bailey Powell
John Rodriguez
Zachary Shoup
Nathan Swiderski
Kyrii Valdma
Laura Vega
Ren West
Reilly Zabala

Please be advised that the performers utilize the aisles of the theater for their entrances and exits, please be aware of their presence.

PREPARATORY CREW
LEAD CARPENTERS
Daniel Gutierrez
Martinez Martinez
Georgia Rau
Nathan Swiderski

CARPENTERS*
Christopher Beltran
Madison Githens
Nicki Gray
Mckenzie Malone
Michael Martinez
Andrew Percival
Chloe Perz
Nathan Swiderski
Andrew Turpit
Karoline Villafane
Michael Yoo 

AUTOMATION*
Patrick Bator
Giovanni Escarcega
Gizan Gando
Madison Githens
Danielle Lee
Anthony Martinez
Noe Mercado
Nathaniel Pearce
Laura Vega 

SCENIC PAINTERS*
Katy Rios Bailon
Willow Shook
Corben Underwood 

COSTUME CONSTRUCTION/CRAFTING
Alexis Cisneros
Ciel Codd
Arlette Florencio
Sunjoo Kim* 
Chelsea Mallari

ELECTRICIANS*
Keven Bautista
Alexis Cisneros
Ingrid De La Cerda
Sarah Dobbins
Stephen Gonzalez
James Incremona
Elena Johnson
Anthony Martinez
Genevieve O'Gilvy
Abel Ortiz
Cristobal Quezada
Julianna Rossi
October Stradwick 

SOUND SYSTEM INSTALLERS*
Dillon Agnew
Emily Alexander
Christopher Beltran
Lenore Booth
Chrissy Collins
Chace Da Silva
Thomas Dodd
Madison Githens
Emmanuel Gonzalez
Daniel Gutierrez
Myles Hall
Dominic Lopez Moonheart
David Mendoza
Noe Mercado
Christine Montemer
Ryan Morgan
Paul Perez
Loveya Ramirez
Ariel Reyes-Soriano
Geovany Rico
Merrie Tucker
Lucy Udhus
Andrew Uribe

* Current Students

Our students need your help.  Learn about how to donate to our theatre scholarships.

https://www.hornetscholars.com/theatreawards